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In fact, if this collection of songs-a staggering 16 tracks, one of this year’s biggest-were sung by anyone else but Goulding, Delirium would sound like an album riding the coattails of pop trends that are losing their “it” factor. On the contrary, it’s amplified to new heights and expanded across pounding, dance-floor-ready tunes. But her personality is not lost in the big-name producers’ work. The sweeping orchestral elements of her sophomore album are traded for a pure pop production-a departure from the indie-electro fusion she got her start with.
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The singer, who has drawn tabloid attention for past relationships with One Direction's Niall Horan and Skrillex, says she is grateful to have someone like Jopling as a sounding board, free of any music-industry bias or jadedness.If Halcyon was Ellie Goulding’s breakup album, Delirium is her redemption one.
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When I write, I like to have a license to indulge in things or embellish a little bit, but with that subject, I just don't feel the need to dress it up or make it into a story."
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"It's something I still want to keep sacred for two more years at least. "There's definitely part of me that doesn't feel like singing about it right now," Goulding says. "Ordinarily, it'd be an all-male crew on set for a video, but it was a female director and (female) management on the phone, which was a great feeling."Īlthough love is central to "Brightest Blue," Goulding says none of the album's songs were inspired by her marriage to businessman Caspar Jopling, whom she wed in a fairy-tale ceremony at England's Castle Howard last fall, with British royalty including Princess Eugenie in attendance. "I don't often show my body in that way, so it was really fun to be in that state and not feel judged or watched," Goulding says. In the music video for "Power," which Goulding self-shot during quarantine, she dances around her bedroom in lingerie as she vents about superficial relationships in the Instagram age. Tracks such as "Woman" and "Power" find Goulding eye-rolling at the patriarchy and reclaiming her sexuality.
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The album's shorter second half is full of flirty, freewheeling collaborations, including the infectious "Close to Me" (with Diplo and Swae Lee) and hypnotic "Hate Me" (featuring late rapper Juice WRLD). "I see Side B as this alter-ego superwoman that I sometimes really wish I was," she says. "I think it's the saddest song I've written," Goulding says. The first features honest, introspective songs about love and heartache like "Flux," a wrenching piano ballad about trying to hold onto a relationship well past its expiration date. "Brightest Blue," with 18 songs clocking in at 57 minutes, is split into two halves. That was a time in my life when I felt very vulnerable and didn't trust my own instincts." I did what other people thought I should do.
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"I think I was pushed in that direction, and I admit I was a bit weak. On tour, "I had these amazing dancers and this huge stage setup, and it just wasn't me," she says. There were two ways I could've gone with (that) album: either continuing to explore myself as an artist or have some big pop star moment, and I chose the latter because I was convinced that's where I was supposed to go. " 'Delirium' was the album I thought I lost my way a little bit with – some of the songs just didn't feel authentic to me. With this album, "I wanted people to get to know me as a writer again," Goulding tells USA TODAY. Ranked: 10 best albums of 2020 so far, definitively ranked Interview: Rita Wilson on her new music, 'scary' COVID experience But the maximalist approach didn't sit well with Goulding, 33, who wanted to scale back and put her songwriting center stage on "Brightest Blue," out Friday. Her last album, 2015's "Delirium," was her biggest ploy for pop superstardom, with a barrage of towering hooks and dance floor-ready bangers courtesy of heavyweight producers Max Martin (Taylor Swift, Katy Perry) and Greg Kurstin (Sia, Adele). With seven top-10 songs on the Billboard Mainstream Top 40 chart, Goulding has amassed more than 20 billion streams worldwide thanks to electro-pop singles such as "Lights," "Burn," "On My Mind," and "Love Me Like You Do" (from "Fifty Shades of Grey").
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Ellie Goulding is ready to reintroduce herself.ĭespite modest awareness of the ethereal British singer in the U.S., she's been a stealthily consistent hitmaker for the past decade.
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